This is the last of the four collaboration projects with Kitaka. This print is made using rotary printing. The rotary uses a cylindrical plate and can print a continuous pattern without any breaks. I had never actually seen a rotary print site, so I went to the factory in Nagoya for an interview. Rotary printing plates use metal plates with small holes. After closing the hole with something like wax, melt the wax only in the area you want to print so that the dye comes out. The holes are not round but hexagonal, like a honeycomb, and I use several types of boards with different hole sizes depending on the area I want to print and the thinness of the lines. The difficult part about making prints is that when you trace the design onto the plate, you have to calculate the bleeding and change the thickness of the lines. It seems that when printing a 0.1mm line on a plate, it ends up being about 0.5mm. Another is the change in color due to overlapping editions. Basically, I print in order from the darkest colors, but if I overlap the color on top of the print, that part becomes lighter, so I wonder if it's okay to overlap, or if I should cut down the bottom plate to prevent it from overlapping. The judgment is based on the craftsman's years of experience. If you delete it, there is a risk of misalignment, so you have to take that into account as well. The fabric made using this technique was made into a skirt. The pattern is a dead branch, but it makes the clothes warm.